Cloth & Memory {2} : Mutable Frame of Reference

rediscovering Ripley Ville

Mutable Frame of Reference : inside viewMaxine Bristow’s work ‘Mutable Frame of Reference – Installation – Material’, in the Cloth & Memory {2} exhibition in the Spinning Room at Salt’s 1853 Mill, is conceptually challenging. This post gives a personal but historically contexted reading of the installation that acknowledges the fluid frames, mutability and associative resonances of the work. Through these readings and the memories that the structural frameworks and curtaining evoke, the post settles, unsettlingly, on ideas of ‘warded’ space. From there it moves on to an account of an incident in the early 1860s when the ‘Lancashire Cotton Famine’ was near its peak and then comes back by way of the worsted trade to Bowling Dyeworks, the industrial model village of Ripley Ville and Salts Mill.

This is the second in a series of four posts on the Cloth & Memory {2} exhibition. A previous post has reviewed 6 other exhibits adding a commentary…

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